Reckoning essay on Wechlers Vermeer in Bosnia Example | Topics and Well Written Essays - 1750 words

Reckoning on Wechlers Vermeer in Bosnia - Essay ExampleI did not know the people who died in the Moscow subway, yet my acquaintanceship quite rationally assumed that it would touch me more, considering it happened in my home town. His rationality was built on the hypothesis that because I lived in that location, I was somehow closer to the mental concept of the tragedy. Perhaps I was, but I do not think I felt anything more exceptional than my friend did for those people. It seemed like something you ought to tincture sad somewhat, yet in the end we both went to get our afternoon coffee.I think about why we, as people, think that just because we belong to a certain geographical place, the events unfolding there should matter to us more. Perhaps the event would have mattered to me more if I had been in Moscow still. only if like Vermeer who was visibly affected by the war the war resulted in the devastation of the Dutch parsimony and Vermeers own bankruptcy (Weschler 15), whic h eventually may have even caused him to die at the puppylike age of 42. Yet, in his paintings, one finds a sense of calm and peacefulness.This sense of calm is so plain that Antonio Cassese, an Italian judge presiding over the Yugoslav War Crimes Tribunal, confides to Weschler that his way of keeping his sanity in bowel movement of all the madness and chaos of the Yugoslav war, and listening to the vivid stories of the inhumanity of humans, is to go to the Mauritshuis museum, in the amount of money of town, so as to spend a little time with the Vermeers (Weschler 14). The paintings of Vermeer in the Mauritshuis museum offer something akin to that to Weschler as well. He is sure, as are others who have had the chance to gaze upon the paintings and try to find a deeper content to them, that something like peace and tranquility is transmitted through these paintings. Albeit there are those (like Snow) who find a really different, and sexual, meaning to the paintings, however, We schler feels that, surrounded by chaos, Vermeer was trying to